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Contents. Symbolic value Historically, the dragon was associated with the and used a symbol to represent imperial power. The founder of Han dynasty claimed that he was conceived after his mother dreamt of a dragon. During the, Emperors wore robes with dragon motif as an imperial symbol, and high officials might also be presented with dragon robes. In the, the two-horned five-clawed dragon was designated for use by the or Emperor only, while the four-clawed dragon was used by the princes and nobles. Similarly during the Ming and, the five-clawed dragon was strictly reserved for use by the Emperor only. The dragon in the appeared on the.
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The dragon is sometimes used in the West as a of though such use is not commonly seen in the or the. Instead, it is generally used as the symbol of culture. In, the dragon was a component of the under British rule.
It was later to become a feature of the design of, a government promotional symbol. The Chinese dragon has very different connotations to – in European cultures, the dragon is a firebreathing creature with aggressive connotations, whereas the Chinese dragon is a spiritual and cultural symbol that represents prosperity and good luck, as well as a rain deity that fosters harmony. It was reported that the decided against using the dragon as its official mascot because of the aggressive connotations that dragons have outside of China, and chose more 'friendly' symbols instead. Sometimes Chinese people use the term ' (:;: ) as a sign of ethnic identity, as part of a trend started in the 1970s when different Asian nationalities were looking for animal symbols as representations, for example, the wolf may be used by the as it is considered to be their legendary ancestor. Main article: Origin The ancient Chinese self-identified as 'the descendants of the dragon' because the Chinese dragon is an imagined reptile that represents evolution from the ancestors and energy.
The presence of dragons within Chinese culture dates back several thousands of years with the discovery of a dragon statue dating back to the fifth millennium BC from the in Henan in 1987, and jade badges of rank in coiled form have been excavated from the circa 4700-2900 BC. Some of the earliest Dragon artifacts are the carvings from the. The coiled dragon or snake form played an important role in early Chinese culture. The character for 'dragon' in the earliest has a similar coiled form, as do later jade dragon amulets from the Shang period.
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Ancient Chinese referred to unearthed dinosaur bones as dragon bones and documented them as such. For example, in 300 BC documents the discovery of 'dragon bones' in. The modern Chinese word for dinosaur is konglong (恐龍/恐龙, literally translated as 'terror dragon'), and villagers in central China have long unearthed fossilized 'dragon bones' for use in traditional medicines, a practice that continues today. The for a variety of dinosaurs discovered in China, in Chinese ( and ) means 'sleeping dragon.' Fossilized remains of Mei long have been found in China in a sleeping and coiled form, with the dinosaur nestling its snout beneath one of its forelimbs while encircling its tail around its entire body. A dragon seen floating among clouds, on a golden canteen made during the 15th century, Chinese dragons are strongly associated with water and weather in popular religion.
They are believed to be the rulers of moving bodies of water, such as waterfalls, rivers, or seas. The Dragon God is the dispenser of rain as well as the zoomorphic representation of the masculine power of generation. In this capacity as the rulers of water and weather, the dragon is more in form, often depicted as a humanoid, dressed in a king's costume, but with a dragon head wearing a king's headdress. There are four major, representing each of the: the East Sea (corresponding to the ), the South Sea (corresponding to the ), the West Sea (sometimes seen as the and beyond), and the North Sea (sometimes seen as ). Because of this association, they are seen as 'in charge' of water-related weather phenomena. In premodern times, many Chinese villages (especially those close to rivers and seas) had temples dedicated to their local 'dragon king'. In times of drought or flooding, it was customary for the local gentry and government officials to lead the community in offering sacrifices and conducting other religious rites to appease the dragon, either to ask for rain or a cessation thereof.
The King of in the period was often known as the ' or the 'Sea Dragon King' because of his extensive hydro-engineering schemes which 'tamed' the sea. Symbol of imperial authority. An imperial robe from the According to Chinese legend, both Chinese primogenitors, the earliest and the (Huangdi), were closely related to 'Long' (Chinese dragon).
At the end of his reign, the first legendary ruler, the Yellow Emperor, was said to have been immortalized into a dragon that resembled his emblem, and ascended to Heaven. The other legendary ruler, the Yan Emperor, was born by his mother's telepathy with a mythical dragon. Since the Chinese consider the Yellow Emperor and the Yan Emperor as their ancestors, they sometimes refer to themselves as ' the descendants of the dragon'. This legend also contributed towards the use of the Chinese dragon as a symbol of power.
Dragons (usually with five claws on each foot) were a symbol for the emperor in many. During the Qing dynasty, the imperial dragon was colored yellow or gold, and during the Ming dynasty it was red. The imperial throne was referred to as the Dragon Throne.
During the late Qing dynasty, the dragon was even adopted as the. Dragons are featured in carvings on the stairs and walkways of imperial palaces and imperial tombs, such as at the in. In some Chinese legends, an emperor might be born with a in the shape of a dragon. For example, one legend tells the tale of a peasant born with a dragon birthmark who eventually overthrows the existing dynasty and founds a new one; another legend might tell of the prince in hiding from his enemies who is identified by his dragon birthmark. In contrast, the was often identified with the. Modern belief Worship of the Dragon God is celebrated throughout China with sacrifices and processions during the fifth and sixth moons, and especially on the date of his birthday the thirteenth day of the sixth moon.
A folk religious movement of in modern is primarily devoted to a generic Dragon God whose icon is a tablet with his name inscribed, for which it has been named the 'movement of the Dragon Tablet'. Depictions of the dragon. Symbols of dragons were placed in tombs as means to get to heaven. The Walters Art Museum. Dragons or dragon-like depictions have been found extensively in neolithic-period archaeological sites throughout China. The earliest depiction of dragons was found at sites.
Sites in have produced clay pots with dragon motifs. A burial site in which is associated with the Yangshao culture shows a large dragon mosaic made out of clam shells. The also produced dragon-like patterns. The sites in present-day produced jade dragon objects in the form of which are the first 3-dimensional representations of Chinese dragons.
One such early form was the pig dragon. It is a coiled, elongated creature with a head resembling a.
The character for 'dragon' in the earliest has a similar coiled form, as do later dragon from the. Classical depictions. Reverse of bronze mirror, 8th century, showing a dragon with three toes on each foot The early Chinese dragons can be depicted with two to five claws. Different countries that adopted the Chinese dragon have different preferences; in Mongolia and Korea, the four-clawed dragons are used, while in three-clawed dragons are common. By the, the five-clawed dragons became reserved for use by the emperor while the princes used four-clawed dragons.
The usage of the dragon motif was codified during the dynasty, and phoenixes and five-clawed two-horned dragons may not be used on the robes of officials and other objects such as plates and vessels. It was further stipulated that for commoners, 'it is forbidden to wear any cloth with patterns of, Male (Chinese phoenix), Five-Toe Two-Horn Dragon, Eight Dragons, Nine Dragons, ', character and Golden Yellow etc.' The of the emulated the rules on the use of the dragon motif and decreed that the dragon would be his emblem and that it would have five claws. The four-clawed dragon would become typically for imperial nobility and certain high-ranking officials. The three clawed dragon was used by lower ranks and the general public (widely seen on various Chinese goods in the Ming dynasty).
The dragon, however, was only for select royalty closely associated with the imperial family, usually in various symbolic colors, while it was a capital offense for anyone—other than the emperor himself—to ever use the completely gold-colored, five-clawed Long dragon. Improper use of claw number or colors was considered treason, punishable by execution of the offender's entire clan. The convention was carried into the, and portraits of the Qing emperors were usually depicted with five-clawed dragons. In works of art that left the imperial collection, either as gifts or through pilfering by court eunuchs (a long-standing problem) where practicable one claw was removed from each set, as in several pieces of, for example the well known in the in London. Cultural references Number nine. A close up view of one full dragon (and the tail end and claw of another) from the Nine Dragons handscroll painted in AD 1244 by Chen Rong, an artist of the The number is special in as it is seen as number of the heaven, and Chinese dragons are frequently connected with it.
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For example, a Chinese dragon is normally described in terms of nine attributes and usually has 117 (9x13) scales—81 (9x9) Yang and 36 (9x4) Yin. This is also why there are nine forms of the dragon and there are (see above). The is a with images of nine different dragons, and is found in imperial Chinese palaces and gardens. Because nine was considered the number of the emperor, only the most senior officials were allowed to wear nine dragons on their robes—and then only with the robe completely covered with. Lower-ranking officials had eight or five dragons on their robes, again covered with surcoats; even the emperor himself wore his dragon robe with one of its nine dragons hidden from view.
There are a number of places in China called 'Nine Dragons', the most famous being (in Cantonese) in Hong Kong. The part of the in Vietnam is known as, with the same meaning. Chinese zodiac. Main article: At special festivals, especially the, dragon boat races are an important part of festivities.
Typically, these are boats paddled by a team of up to 20 paddlers with a drummer and steersman. The boats have a carved dragon as the head and tail of the boat. Dragon boat racing is also an important part of celebrations outside of China, such as.
A similar racing is popular in India in the state of Kerala called Vallamkali and there are records on Chinese traders visiting the seashores of Kerala centuries back (Ibn Batuta). Main article: On auspicious occasions, including and the opening of shops and residences, festivities often include dancing with dragon puppets.
These are 'life sized' cloth-and-wood puppets manipulated by a team of people, supporting the dragon with poles. They perform choreographed moves to the accompaniment of drums, drama, and music.
They also wore good clothing made of silk. Dragons and nāgas In many countries, the concept of the has been merged with local traditions of great and wise serpents or dragons, as depicted in this stairway image of a multi-headed nāga emerging from the mouth of a in the style of a Chinese dragon at Phra Maha Chai Mongkol on the premises of Pha Namthip Thep Prasit Vararam in Thailand's Roi Et Province.