Black Tambourine - S/T CS [2010] support the artist - buy one of their releases at slumberland try link to discogs description. View my complete profile.

• Complete Recordings
• Archie Moore

The short-lived endure among the truly seminal American indie pop bands of the 1980s, creating a dark, feedback-rich sound that predated the shoegazer movement of the decade to follow - a period when the now-defunct group's members all went on to enjoy even greater recognition within the flourishing Amerindie scene. Formed in Washington, D.C., in 1989, were comprised of vocals from and music by 's and and 's.

• This album arrives with impeccable timing. Bands like Vivian Girls, Crystal Stilts, Women, Wavves and even Glasvegas are all pouncing on the reverb-heavy, Phil.
• Here you can download free black tambourine black tambourine shared files found in our database: Black Tambourine Black Tambourine (2010).rar mediafire.com Black.

In defiance of the D.C. Scene's predominantly punk aesthetic, the group drew inspiration from 's classic Wall of Sound productions of the 1960s as well as contemporary British noisemakers like and. Debuted in 1990 with 'Pam's Tan,' a contribution to the 7' What Kind of Heaven Do You Want?, the first release on 's own Slumberland label. Another track, 'We Can't Be Friends,' appeared on spinART's compilation before the group issued its first official single, the homage 'Throw Aggi Off the Bridge,' on the fledgling Audrey's Diary imprint. 'By Tomorrow' followed on Slumberland, but with just nine officially released songs and four live performances under their collective belt, dissolved in 1991.

From there, the peripatetic shuttled through a series of bands ranging from to Glo-Worm to, earning perhaps her most enduring fame as the co-founder of the influential fanzine Chickfactor. Meanwhile, after recording a handful of singles for Slumberland, and 's aforementioned signed to Sub Pop, becoming one of the more beloved indie bands of the early '90s. As for, Slumberland continues as one of the preeminent American indie labels, with a catalog that spans from to to; in 1999, the label issued the retrospective. Please email to ihatethe90s at gmail dot com to make your request or use the dropdown box below to email me. One request per month, please. If you're rude, I won't fulfill your request(s). Before making a request, please make sure that the release hasn't already been posted.

Use the search box at the top left of the page. No religious music please. Contributors can request up to 5 per month. Music should be college radio - indie, alternative, hardcore, punk type music. Please do not post requests in the comments section of the posts. Either email or post in the chatbox.

All requests must be for releases between 1990 and 1999. Music must originally be released between 1990 and 1999. Other requests for releases beyond these years will no longer be honored. Do not ask me to bend or break the rules. Contributors must contribute releases that are not posted on other blogs and preferably are from the CD wishlist located to your right. Releases must be properly tagged with name of artist, track number, song title and album title or they can no longer be accepted. Contributions are accepted under my discretion.

If the contributions can be easily found, I probably won't need it. If you are found to be using different names on the Chatbox to get more than 1 request per month, you will no longer be able to have your requests fulfilled and you will be banned from the Chatbox. No fake emails. You don't have to enter your email in the Chatbox unless you want, but don't enter in fake email addresses. Please be fair to others and use ONE name on the Chatbox.

Thanks for visiting and enjoy your stay! Oh, and a please and a thank you will help your request or reup get posted.

Good manners matter. Special thanks to my surrogate blog buddies who've introduced me to some great bands and uploaded them for all of us to enjoy. I truly appreciate all of their hard work and they are now a part of the I Hate the 90s team. Updated 28 September 2017 A Bullet For Fidel Lingers and Dies Bisbee Snacks Big Ass Truck Blue Monday; Purity of Essence Croatan Terror in My Pants Dandruff Deluxe Erase Today Colour Sound & Vibration F lightstar Circles; M.C.K. Flower Gang Junkdrawer EP Greed Seed 20 Years Too Late Horsepower Bareback EP Huge Pristine Icky Boyfriends I'm not Fascinating Kickstand Kill Devil Hill Little John self titled Log 4 song EP on Anyway Records Machinery Hall Herd Mutton Gun III (With Wood) Not Going to Vegas Nub Fall Guy/Harrier 7 inch Orbit Guide to Better Living Pure Blind Panic Redberry Remy Zero Waving Smile Splendid EP Sponge Trendbender Star Hustler self titled Sunbrain Assorted Fruit Flavors The Happily Rejected Hobbledehoy The Shahers Song From Beneath the Lake Tutti Tropo Wis hplants Daddy Longlegs Yellowbelly.

Boomkat Product Review: This album arrives with impeccable timing. Bands like Vivian Girls, Crystal Stilts, Women, Wavves and even Glasvegas are all pouncing on the reverb-heavy, Phil Spector-via-Jesus & Mary Chain aesthetic, and it's a sound honed brilliantly by Maryland alt. Poppers Black Tambourine. The band were active between 1989 and 1991 and this album serves on a shiny, optical platter their complete recorded oeuvre - a total of ten tracks clocking up a paltry twenty-five minutes of playtime, but opening you up to a whole cosmos of impeccable textural guitar pop.

Whether it be the lumbering fuzztone bass and gloriously melodic jangle of 'Can't Explain', the wall-of-sound post-punk of 'Throw Aggi Off The Bridge' or the cavernous digital echo chamber 'We Can't Be Friends' languishes in, every beat brings new joy and with each elapsing moment this collection proves itself a timely and revelatory release. Highly recommended. Boomkat Product Review: This album arrives with impeccable timing.

Bands like Vivian Girls, Crystal Stilts, Women, Wavves and even Glasvegas are all pouncing on the reverb-heavy, Phil Spector-via-Jesus & Mary Chain aesthetic, and it's a sound honed brilliantly by Maryland alt. Poppers Black Tambourine. The band were active between 1989 and 1991 and this album serves on a shiny, optical platter their complete recorded oeuvre - a total of ten tracks clocking up a paltry twenty-five minutes of playtime, but opening you up to a whole cosmos of impeccable textural guitar pop. Whether it be the lumbering fuzztone bass and gloriously melodic jangle of 'Can't Explain', the wall-of-sound post-punk of 'Throw Aggi Off The Bridge' or the cavernous digital echo chamber 'We Can't Be Friends' languishes in, every beat brings new joy and with each elapsing moment this collection proves itself a timely and revelatory release.

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Complete Recordings

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Archie Moore

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DUTIES AND TAXES If you order goods for delivery overseas from our site you will be responsible for any import duties and taxes. PROVISIONS APPLICABLE TO THE SERVICE AS OPERATED BY DIGITAL 11. THE SERVICE (a) The Service allows you to listen to Clips (as defined below) and buy non-physical digital sound recordings, artwork and information relating to such sound recordings, and other content (collectively, 'Music Content'). MUSIC CONTENT (a) RIGHTS GRANTED: Upon payment for the Music Content, Digital grant you a non-exclusive, non-transferable right to use the Music Content only for your personal, non-commercial, entertainment use subject to this agreement.

(b) RESTRICTIONS TO RIGHTS GRANTED: The Music Content is owned by Digital, its business partners, affiliates and/or licensors, as applicable. You must comply with all applicable copyright and other laws in your use of the Music Content. Except as set out in clause 11 (a) above you may not or allow others to redistribute, transmit, assign, sell, broadcast, rent, share, lend, modify, adapt, edit, sub-licence or otherwise transfer or use the Music Content. Digital does not grant you any synchronisation, public performance, promotional use, commercial sale, re-sale, reproduction or distribution rights for the Music Content. You agree to advise Digital promptly of any such unauthorised use(s). USE OF THE SERVICE: (a ) USE OF MUSIC CONTENT: You agree that the content rights holders that license their musical or other content to Digital for use in the Service are intended third-party beneficiaries under these Conditions with the right to enforce the provisions that directly concern their content. You understand that your use of the Music Content is subject to the Usage Rules discussed below.

(b) SOFTWARE: All software made available by Digital on or through the Service is protected by intellectual property laws and your use of it is governed by these conditions as well as any applicable end-user licence agreements. (c) USAGE RULES: Your access to and/or use of any Music Content will be limited by the rules assigned to the Music Content by Digital ('Usage Rules') and described in this section. You may not attempt (or support others' attempts) to circumvent, reverse engineer, decrypt, or otherwise alter or interfere with any Usage Rules or Music Content. Digital reserves the right to modify the Usage Rules at any time and your continued use of the Service after each such modification shall be deemed acceptance of any such modification. A 'Clip' is a portion of a track or promotional music video that you can play (and, if applicable, view) directly from and while you are logged on to the Service on a promotional basis at no cost to you. You may play as many Clips as you like. You may not attempt (or support others' attempts) to capture, copy, or download a Clip. (d) PRODUCT AVAILABILITY: Technical problems or expiry of Digital's right to make certain Music Content available may at times delay or prevent delivery of purchased Music Content to you. Receipt of your order or request does not guarantee that Digital can supply the selected products to you.

Privacy Boomkat are committed to protecting and respecting your privacy. We do not send unsolicited emails to customers, and do not pass on your private details to any third parties. This policy (together with our terms of use: www.boomkat.com/terms) and any other documents referred to on it sets out the basis on which any personal data we collect from you, or that you provide to us, will be processed by us. Please read the following carefully to understand our views and practices regarding your personal data and how we will treat it. By visiting boomkat.com you are accepting and consenting to the practices described in this policy.

For the purpose of the Data Protection Act 1998 (the Act), the data controller is Boomkat Limited of 2nd Floor Swan Building, 20 Swan Street, Manchester, M4 5JM INFORMATION WE MAY COLLECT FROM YOU We may collect and process the following data about you:. Information you give us. You may give us information about you by filling in forms on our site or by corresponding with us by phone, e-mail or otherwise.

This includes information you provide when you register to use our site, subscribe to our service, search for a product, place an order on our site, enter a competition, promotion or survey, or when you report a problem with our site. The information you give us may include your name, address, e-mail address and phone number, financial and credit card information, or any other personal description.